This adaptation of Jack Kerouac’s novel immerses us in a time period that is short but alive with change. It is the postwar era, and we are introduced to a small group of budding writers who are part of a culture which, as a whole, seems lively and creative. Sal Paradise (Sam Riley) is not feeling it though. He is frustrated at the success and inspiration of his friends while he struggles with the half-written manuscript of a novel. Upon being introduced to Dean Moriarty (Garrett Hedlund), Sal becomes fascinated with his lifestyle. His carefree attitude and seeming success pulls Sal into a friendship that takes Dean, himself, and many others on a drug-enhanced adventure through the United States and Mexico.
The audience takes a back seat – sadly often with Kirsten Stewart – as we watch the ideas and conventions of the time break and evolve in ways that still make us raise an eyebrow now. On The Road feels like an adventure for the viewer, who will undoubtedly walk out with the realisation that they have not only watched a beautiful film, but have also taken in some of the ideas.
Early on in the film, Sal is asked where he is going. “Just going,” with enough for a pint of whiskey, he says. While “on the road” Sal finds his inspiration, but also finds stories, friendships, and the heart of the United States.
The film is a must-watch for any wannabe hitchhiker or traveller. It shows the simple and sometimes serendipitous interactions of people travelling through the beautiful hills, mountains, and back roads of the United States in search of what Dean calls “it”.
What is “it”? Well, that’s for you to decide.
4 / 5 stars
On The Road
Director: Walter Salles
