Culture

Directed by: Thom Adams, Alex Wilson, and Dianne Pulham
(3/5)

I am always in awe of the people who commit to a performance event of this scale in conjunction with full-time study. As a ‘Capping Show’ Alice in Cappingland ticked all the right boxes; however, I personally think it is time to think of some new boxes. 
The lead sketch was quirky and enjoyable. Most memorably, Skeggie [Sam Irwin] held a constant focus that, if nothing else on stage was funny, I could return to him and his naughty paddle. Special mention also goes to Louise Beauvink – although not part of the lead sketch, she has a masterly control over a ‘hammed-up’ acting style. 
A variety show such as this relies on a quick pace and shock value so that the audience can be swept up, laugh at things they shouldn’t, and leave feeling somewhat tickled by the experience. This year’s sketches were often too drawn out as they grasped at every potential funny moment, leaving the audience to perform obligatory laughs. On this note, the biggest turn-offs were the sketches that apologetically explain the lack of humour, ironically commenting upon the show’s shortcomings.  
There were some funny gags. [STADIUM] Phew ... don’t get me wrong. [STADIUM] I did laugh. [STADIUM] I wanted to see some of these revisited [STADIUM] and developed [STADIUM] and thus become a structural device for some of the smaller sketches to hang off. [STADIUM]. I do, however, whole heartedly agree with the anti-‘tights as pants’ message and was well-informed (too informed?) by the introductory safety video.  
I would like to see those in charge of this show push the boundaries and utilise what is available to them. Instead of attempting to replicate the show that Castle lecture theatre allowed – find new ways to use the space. I reiterate that I respect the effort that goes into this event; we just need to see some exploration of new territory.