For The Record | Issue 27
Epilogue
I remain at a loss for words. I’m exhausted. I’ve forgotten what it feels like to be fully rested. October feels far too early to make a “Best of 2012” list, but then again, maybe it isn’t. Maybe I should talk about music, and what I’ve enjoyed listening to this year: the music that’s heightened my senses, punctuated my sprawling nights, carried me through periods of endless grey clouds, and hinted at blue skies ahead. Music has certainly helped me cope with all the hours spent hunched over a desk, slowly forgetting about my past and gradually losing sight of my future.
The gun slingin’ outlaw Killer Mike put a spring in my step and wild ideas in my head, and provided a sweaty soundtrack to many a sweaty night. Cooling off a little bit, The Tallest Man on Earth filled my room with masterworks of jangly guitars and poetic spirit; his record There’s No Leaving Now is among the best released this year.
Sometimes I take myself too seriously: I use long words, drink green tea, and self-consciously wear tweed. Luckily I have Odd Future around to remind me that life is really just one big fucking goof. The OF Tape Vol. 2 has a lot of things going for it: it’s chockfull of hilarious and seriously good hip hop, Earl is back, and the music video for rap epic “Oldie” is one of the best of 2012.
Atmosphere is important to me. And three albums in particular offered a distinct and wholly unique mood: Beach House’s Bloom, Grimes’ Visions and Poliça’s Give You the Ghost. Warped, hazy and rapturous, these albums painted a surrealist soundscape on my aural canvas. Far out, man…
I don’t know whether this column will be around next year, but I want to thank you all for your company. It’s been fun hanging out, and chatting about all things audio.
Have a loose and lax summer: read a good book, watch a classic movie, listen to jazz. Enjoy the sun, the beach, and that sweet-smelling ocean breeze. See you in the soundwaves.