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Reviews / Performance

recent Reviews/Performance


Romeo and Juliet

by Jen Aitken | 12:57 am, 19/07/2010

Written by William Shakespeare Directed by Samuel Irwin Starring Angus McBryde, Abby Howells, Finn Sigglekow, Miriam Noonan, Alex Wilson, and Jacob McDowell Allen Hall Lunchtime Theatre 4/5


Semester One: what can we learn?

by Jen Aitken | 12:08 am, 12/07/2010

Looking back at Semester One, I thought I would offer my thoughts regarding what works and what doesn’t really work so well when it comes to directing/producing/devising a Lunctime Theatre performance.


Ltt Review: Voyager VI

by Jen Aitken | 8:29 pm, 11/07/2010

Directed by Jimmy Currin Devised and starring THEA152 Semester One students (2/5)


Review: The 39 Steps

by Jen Aitken | 8:28 pm, 11/07/2010

Adapted by Patrick Barlow Directed by Hilary Norris Starring Patrick Davies, Anna Henare, Mark Neilson, and Danny Still Fortune Theatre Mainstage (4/5)


LTT Review: Mind Under

by Jen Aitken | 4:21 pm, 11/07/2010

Written by Kiri Beeching Directed by Richard Huber Staring Kiri Beeching and Richard Huber (3/5)


[More recent articles]

LTT Review: Shared Agendas Thursday 6-5-2010

by Jen Aitken | 2:35 pm 11/07/2010

Co-ordinated by Ali East and Martyn Roberts (3/5)


This performance was the fourteenth Shared Agendas event. Shared Agendas provides an annual forum for a cross-disciplinary, improvised exchange between musicians, dancers, actors, performers, and techies. James Reedy explains that the work exists “within a spectrum which includes both inappropriate and appropriate activity as well as auspicious co-incidence.” This latest instalment of Shared Agendas provided many an inappropriate moment and a number of beautiful auspicious co-incidences. 

Creating an improvised performance involving nigh on 15 performers is always going to be risky, but with the combined experience of all those involved I did feel like I was in very safe hands. What I particularly loved was the live camera feed, operated by Roberts. This offered a certain distancing effect within the piece as the audience was invited to engage with the performance on a whole new level, through the medium of projection. When I found the action on-stage to be cluttered and overwhelming I could retreat into the world that Roberts was creating on screen. 

What I didn’t particularly appreciate were the exclamations that began “last year in Shared Agendas ...” I wasn’t interested in then, I was interested in what was happening now. What was happening in the space was often jumbled and I craved moments of silence, darkness, and stillness. There needed to be more contrast within the performance. The performers were not often aware of the other bodies in the space and thus certain moments were not given the space and time to fully evolve before our attention was snapped away to gratify someone else’s offering; but, alas, such is the nature of improvised performance.

On the whole this was an interesting, sometimes un-nerving but fulfilling performance that was full of joyous surprises, and I hope Shared Agendas continues to be included in the annual Lunchtime Theatre line-up.

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